Holepuncher

Entries from May 2009

More Life on Mars.

May 29, 2009 · Leave a Comment

Uggh.  Fighting a stomach bug for the second time in ten days.  Fortunately there’s some new music from The Mars Volta to listen to and help me forget that my gut seems to hate me.  You can check out the songs “Cotopaxi” and “Since We’ve Been Wrong” over at the website set up for the band’s upcoming album Octahedron, which streets June 23rd.  To play the songs requires a bit of a search into the appropriately abstract album art, but if you’re the kind of kid who hated Where’s Waldo? then just click on the plus mark that’s on top of the mountain and the one on top of the weird crystal thing sticking out of the ground and you’ll be good to go.

What else? Lady GaGa is on the cover of Rolling Stone magazine.  I had never even heard of her until last week when I happened upon the following video for the song “Poker Face” off her album The Fame:

Yep.  That’s popular music.  I’d say more, but again…my stomach.  Have fun dancing.  More Monday…

Categories: Uncategorized
Tagged: , , , , , ,

The Night is Darkest Just Before Dawn.

May 28, 2009 · Leave a Comment

Hey.  Back from my brief stint elsewhere with something cool to throw your way.  Reader Moorhead gave me a further nod in a direction I had vaguely heard about and now can fill in some more gaps and even provide a sample.  The subject at hand is called The Dark Night of the Soul and it’s more of a project than a unit or band, really, that started with a collaboration between Danger Mouse and Sparklehorse, but then grew to include photography from David Lynch and guest musical contributions from the likes of the Flaming Lips, James Mercer of the Shins, and Julian Casablancas of the Strokes.  You can read much more about the origins of the project by checking out the review at Pitchfork, or you can just head to Amazon and pre-order the “album” which streets next Tuesday.  Or you can just listen to this tune called “Little Girl”:

I’m digging it.  Perhaps most interesting is the inclusion of a blank CD-R with the book, that is intended to be used to illegally download and burn the album which has been held up due to Danger Mouse’s contract with label EMI.  That’s one way to skirt the system.  But also, if you’re in Los Angeles, there will be an exhibit of Lynch’s photographs for the project at the Michael Kohn Gallery starting May 30th and running through July 11th.  Check out the website for more and – stop the presses – looks like NPR’s got the entire album available for streaming.  Follow this link and get all on that.  Here’s another tune to take you out.  This is “Angel’s Harp” featuring Frank Black:

Nice.  Here’s hoping your soul has a good evening.  More tomorrow…

Categories: Uncategorized
Tagged: , , , , , , , , , , , ,

Get Away.

May 19, 2009 · 2 Comments

Sup.  I’m headed out of town for a week today and am just going to put the blog on a little hiatus until I get back after Memorial Day.  So everyone enjoy themselves and we’ll see you in a few.  Here’s a feel good song to take us out courtesty of The Chipettes:

I stumbled across that by accident, but I have to admit that I actually remember The Chipettes (though I did not remember their individual names), which I then have to admit is just kind of sad.  Anyway, have a good one.  More next week…

Categories: Uncategorized
Tagged: , ,

Blizzard of Wreckage.

May 18, 2009 · Leave a Comment

Howdy.  So there’s a teaser up for this new Ozzy documentary that son Jack Osbourne is executive producing for his company Jacko Productions.  It seems like the thinking behind this doc is to more or less provide the anti-MTV look at Ozzy’s life and this is extremely evident in the teaser trailer’s tone and music choice.  Unfortunately, I can’t do an embed here but go visit this link to check out the vid.  I have mixed feelings about this trailer (and, yeah, I know it’s just a tease).  While I certainly don’t think the MTV show was ever an extremely accurate reflection of who Ozzy is – there’s definitely an agenda to how those shows are edited – I’m not sure there won’t be just as big of an agenda with how this doc is put together.  In fact, part of me feels like if you simply put a different song on this trailer and brought up the actual audio that you could have footage that plays exactly like the MTV show.  And how are we supposed to take this documentary serious when we know the following is waiting for us in the wings?

I’ll withhold further judgment until I’ve seen the film, but hey – if Jack can get away with making a serious portrait of his father and family while still participating in whatever the hell this Fox show is, then more power to him…

Personally, I like Ozzy just the way he is.  He may come off as the fumbling, bumbling suburban father with tattoos but I’ve never seen footage of him that made him out to be anything but an extremely nice guy.  Everybody knows the whole “Prince of Darkness” thing is just an act at this point (and probably always has been) and I don’t know anyone who isn’t perfectly okay with that.  The Ozzy I grew up with has certainly changed, but if younger generations have any question about who he is or why he matters all they need to do is listen to his music.  No number of reality shows or documentaries are going to alter what was put on record and it’s those records that are sole reason Ozzy’s famous in the first place.  He may mumble off stage, but on stage his voice is loud and clear and, really, what else do we want from a musician?

And that’s your food for thought.  More tomorrow…

Categories: Uncategorized
Tagged: , , , , ,

The Case Against Volu…What?? I said, “THE CASE AGAINST VOLUME!!!”

May 15, 2009 · 10 Comments

Hey.  Are your ears ringing or is it just mine?  It’s probably not just mine, actually.  Anybody who saw Mastodon last night will recognize the familiar “waaaaaaa” that’s gradually getting fainter and fainter as the day goes on but will still likely be there tomorrow if not for the next six weeks.  So how was the show? Were they good? Was it cool seeing Crack the Skye played from start to finish?  Yes and yes.  In fact, I felt like the seven songs and fifty-odd minutes that made up the Skye set actually flew by.  I don’t think they were necessarily jacking up the tempo (like they did when they piledrove their way through “The Wolf is Loose”) but for some reason it just moved by really quickly.  Whatever the case, I think it was a smart decision to play the album like that for this tour.  I didn’t hear anyone complaining and the songs really do work quite well as a complete unit.  There was a video companion that had some crazy footage of what looked like Rasputin and soldiers and ladies in weird headpieces and other sorts of imagery that fit in with the Russian-space vibe of many of the album’s songs.  I’m sure you can find clips on YouTube if you’re curious.  All of the songs were performed really well, though I think bassist-singer Troy Sanders’s voice struggled a little with doing double duty on the title track (the verses are sung by Scott Kelly of Neurosis on the album).  As for guitarist-singer Brent Hinds…well, I simply couldn’t hear his voice.  I mean, I know it was there and I knew a lot of the words he was supposed to be singing, but it was hard to pick out of the mix.  And that brings me to my overall complaint about this show:

Volume.

I know I’m likely to get railed for this because I was dumb enough not to bring earplugs, but the show was too loud.  And if it was loud and just hurt my ears that would be one thing – but this was loud to the point where I felt it diminished the quality of Mastodon’s sound.  It was loud to the point where I could see these guys on stage putting their all into some very complicated individual parts, but what greeted my ears was a ringing wall of murkiness.  There was little to no separation of the instruments to my ears and that’s a real shame, I think, because of exactly how great the guys in Mastodon are at their individual instruments.  As I said above, I couldn’t make out Brent’s voice very well but I also had a hard time hearing all those insane fills that drummer Brann Dailor is known for (and ironically, I could hear his voice quite well and he did a great job).  I don’t know if this is just a thing with the Orange Peel or maybe the sound guys for Mastodon were still in stadium mode but having seen Satyricon and Cradle of Filth there recently I felt like last night’s gig was much, much louder and worse off because of it.  I actually now kind of wish I could see Mastodon in a stadium instead of a club, and I never ever prefer to see bands in stadiums because of the distance and less intimate nature of the venue.  But I have a feeling that I would be able to hear them much better in a venue that was larger and after all that’s why I was there in the first place: to hear them.  I definitely felt them play last night.  But hear them? I don’t know.  I heard something…

What’s really kind of crazy about this is that after Kylesa played I immediately turned to Mrs. Holepuncher and said “I think that’s officially the loudest band I’ve ever heard in my life.”  (And keep in mind I’ve seen AC/DC who blasted off a freaking canon on stage) I chalked this up mainly to the fact that Kylesa uses two drummers, but regardless the volume was not the detriment to their music that it was for Mastodon.  Kylesa songs are built mainly upon sludgy power chords and riffs and those huge drum sounds.  Their guitarists don’t launch into the same noodly harmonies that Mastodon does so well, and as such I had no problem distinguishing instruments in Kylesa.  I could hear both singers and thought they sounded great.  Same goes for the two drummers, who you really have to see – they actually sort of share one big drum set in a weird way but were just in dead-on unison the entire time.  In a word, Kylesa killed it.  Really strong performance from them and I’d eagerly fork over the dough to see them again (albeit, with some heavy duty earplugs).  We missed part of first opener Intronaut, but they too were impressive.  Just looking at them you’d never guess in a million years that those dudes could make such a heavy sound (and you can find a vid for their song “Australopithecus” in this post a few days back).  I don’t think there was a single tattoo among them, which is kind of refreshing.  They have some rather intricate dual guitar parts to their music and I felt like their sound was at a perfect volume and mixed really well.  Really good bass player in that band, as well, for all you four string junkies out there.

So anyway, the conclusion of this review basically amounts to this one argument: if you’re using volume at a level that makes it difficult to hear, then doesn’t that defeat the purpose of using volume in the first place??? The long and short of it is that you should always wear earplugs, I guess (though I think it’s unfortunate that this is a requirement for good sound).  Not only will your hearing be better off, but you’ll actually be able hear the musicians you’re paying to hear play.  My admiration for Mastodon and the Orange Peel only suffered a slight blow in the grand scheme of things.  My hearing will return and I feel fortunate to have seen Mastodon at all and in my not-so-large hometown, no less.  But, that said, I’m actually really excited to see them on Letterman tonight so that I can hear what I missed.  And that’s kind of insane.

Mastodon set list:

Oblivion, Divinations, Quintessence, The Czar, Ghosts of Karelia, Crack the Skye, the Last Baron, Bladecatcher, Colony of Birchmen, the Wolf is Loose, Crystal Skull, Capillarian Crest, Iron Tusk, Megalodon, Seabeast, March of the Fire Ants.  I may have the order wrong after Skye, but I think that’s pretty close.  Great list even if no “Blood and Thunder” or “Sleeping Giant.”  Can’t have ‘em all.

All right.  No video today.  My ears need the rest.  More Monday…

Categories: Uncategorized
Tagged: , , , , , , , , , , ,